I suspect you could get the price on something like this down to maybe $100-$150. Basically a small low-power Intel box with an SSD and at least 8G of RAM could handle all of these services.
The hard part would be pre-configuring each of them and building/adapting software to make this kind of stuff easy for end users.
I just use mergerfs and SnapRAID so I can scale dynamically when I can afford new drives. Granted it’s all fully replaceable media files on my end, so I’m not obsessed with data integrity.
Sure, I don’t doubt they’ll continue with at least one more minor patch in the coming weeks. Typically it’s not till something like .3 or .4 till the minor version patches cool down
It’s better to do it now, now that a bunch of the migration edge cases were ironed out by 10.11.1
It helps if your server can decode AV1, but you never need it to encode to AV1. Basically the main usecase for transcoding AV1 would be burning in ASS formatted subtitles, commonly used for anime. If you keep your anime in other codecs then you shouldn’t need to transcode AV1 ever unless you add more clients into the mix that can’t handle AV1 natively.
For what it’s worth, I use an Intel N100 with quicksync, and that can decode AV1 because it’s 12th gen. Works great for me.
About 20 years ago, I wanted to add recording studio capabilities to my gaming PC but I was a broke high schooler, so I installed Ubuntu Studio as a dual boot option alongside Windows XP.
Anyway, I installed Arch on my laptop about 3 years later in college using the Arch Book, which was essentially the same as the wiki’s install guide at the time.
I had a dual boot system with Windows and Mac (it was a hackintosh) as my home recording studio Pro Tools/gaming PC for about a decade, then my Windows install had to be wiped due to an issue I had, so I decided to just wipe the whole thing and go single boot with Linux Mint, so now I use Reaper for recording and Steam + Heroic + emulators are meeting all my gaming needs. I use the Xanmod kernel and the kisak-mesa PPA, and since making the switch I’ve upgraded essentially all of the parts in my PC, which is good because I first built it in 2013
Yeah, exactly. I was trained on Pro Tools and Ardour worked OK and made sense to me, but Reaper feels more intuitive to use than either Pro Tools or Ardour.
Audio Engineer here.
You want Reaper. It’s a $60 program but you can keep it in trial mode for as long as you want till you’ve got the money. Reaper has lots of tutorials available on YouTube and can use industry-standard VST plugins, plus it has enough plugins bundled in to get you started.
Yes, hardware transcoding = using hardware acceleration for decoding/re-encoding the video files. CPUs do it pretty slowly (or they use a ton of electricity if they’re fast enough to do it quickly) but the special decoder/encoder chips on GPUs (including integrated graphics GPUs) can handle that sort of task no sweat in most cases as long as you’ve got it preperly configured.
Why sort in the train when you can sort ahead of time and maximize storage space? The ZIP code system allows for a national radix sort.
I use Sonarr.
Even if you rip your media, it’s just really good at organizing your media files when you “import” them, plus it can fetch the metadata itself and put it into NFO files, which Jellyfin can both read from and write to, if you enable it. This allows for faster library scans and effectively eliminates the issue of mis-identified episodes/shows.
AAC is more widely supported than Opus and sits closer to Opus than MP3 in terms of compression efficiency, but still trails Opus in that category.
Still, better than MP3 for sure.
Generally this is true, but it depends on the encoder used. Back during the huge boom of MP3 popularity in the late 90s and early 00s, it likely did make a difference, so if you’re looking at MP3s that were encoded back then I would go for 320kbps every time just to be safe, but modern encoders generally do much better like you said.
These days if I were encoding an MP3 I’d use LAME at -V0 setting, letting it lower the bitrate where it can without sacrificing quality. That said, per this test from 2014 that I found as a source on Wikipedia, a 96kbps VBR Opus file is at least as good if not better than an MP3 with -V 5 as the setting on LAME with approximately a 135kbps bitrate.
This, @Thorned_Rose@sh.itjust.works.
I’m an audio engineer and can confirm that if you want the best quality audio for the file size, you want Opus. Opus at 128kbps is considered transparent, so it’s roughly as good as 320kbps MP3s, but y’know, less than half the size.
Yep, you’re right. I’ll delete my previous comment. Seems like my info was like 15+ years out of date.
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By the end of it they’d married each other and had a kid, but yeah, not cheating.
If you don’t upgrade the RAM, go with Linux Mint with the MATE desktop. If you do upgrade to 8GB RAM, probably LMDE? You don’t need to be on a bleeding edge kernel with a Windows 8 era laptop, modern optimizations will not affect perf much.